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We wanted to get to know Laura Pennington Briggs (NAIWE’s Business of Writing Expert) better, so last month we sat down with her. Here are some thoughts she shared with us.

You’ve mentioned that in nonfiction, the first chapter is often written last. Why is this “reverse” process more effective for business authors?

For business authors, the first chapter is not just an introduction, it is a positioning document. It does several jobs at once: define the problem, establish credibility, clarify who the book is for (and who it is not), and create the momentum to keep reading.

That is extremely difficult to do before you fully understand what the book will become.

Most business books evolve during the writing process. As you draft later chapters, patterns emerge. You discover which ideas are foundational versus supporting, where readers are likely to get stuck, and what language you naturally return to when explaining your core framework. Writing the first chapter last allows you to reflect on the book’s true thesis rather than an early, conceptual version of it.

In practice, this “reverse” process leads to a first chapter that is sharper, more confident, and more aligned with the outcomes the reader will get. Instead of promising everything, it promises the right things. For business authors especially, that clarity is what builds trust and keeps readers engaged beyond the opening pages.

You’ve admitted to taking on too much during your first book launch. What are the “few key things” that move the needle for nonfiction sales in 2026?

In hindsight, the biggest mistake most first-time nonfiction authors make is confusing activity with impact. Launches can easily turn into a long list of tasks that feel productive but do not meaningfully affect sales.

In 2026, the needle is moved by a surprisingly small set of actions.

First, clarity of audience and problem. Books sell when readers instantly recognize themselves and their pain on the back cover, the Amazon description, and the opening pages. No amount of promotion can compensate for a vague promise.

Second, sustained visibility rather than launch-week intensity. One strong channel where you show up consistently, whether that is email, LinkedIn, podcasts, or speaking, outperforms a scattered presence everywhere. Readers buy when they hear the same message multiple times, not when they see a one-week blitz.

Third, authority transfer. Nonfiction sales accelerate when someone else’s credibility points to yours. That might be a well-placed endorsement, a strategic podcast interview, or a single respected partner sharing your book with their audience.

Everything else, the graphics, the countdowns, the elaborate launch sequences, is secondary. The authors who sell steadily are the ones who focus on message, repetition, and trust rather than trying to do everything at once.

In your discussions on strategic generalists vs. experts, where does “author” fit into that hierarchy for a service provider?

Author is not a job title, it is a positioning layer.

For service providers, being an author often functions as the bridge between expert and strategic generalist. The book does not replace the service, it reframes it. It elevates the provider from “someone who does the work” to “someone who defines how the work should be done.”

Experts are hired for execution. Strategic generalists are hired for perspective and judgment. An author sits closer to the latter because a book signals synthesis, pattern recognition, and long-range thinking. It tells the market that you are not just solving individual problems, you understand the system those problems live in.

That is why authors often move up-market without changing their core skill set. The book becomes intellectual leverage. It allows a service provider to step out of reactive delivery and into a role that includes advising, shaping strategy, and setting the agenda for conversations in their field.

In that sense, authorship is less about writing and more about authority architecture. It changes how people approach you before you ever get on a call.

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Feeling overwhelmed by everything you’re “supposed” to do to launch a book? This webinar breaks down the nonfiction book launch process into clear, manageable phases. You’ll learn how to map out a 4–6 month marketing plan, what actually moves the needle, and how to tailor your approach based on whether you’re traditionally published or self-published. Perfect for authors who want clarity, structure, and realistic expectations

You can join in this conversation on January 29 at 2:00 pm eastern, when NAIWE will host a discussion on working with agents. The cost for NAIWE members is only $10! Nonmembers can join for $30. Register today!

Laura Pennington Briggs is the founder and CEO of the Freelance Coach. A three-time TEDx speaker on how freelancing is changing the economy, Laura has helped over 15,000 freelancers start and scale their businesses. She’s an expert on systems, project and client management, marketing a solopreneur business, delegating to team members, retainers, and developing multiple income streams for writers of all stripes. Laura is the author of five books, including the Six-Figure Freelancer, How to Start Your Own Freelance Writing Business, and award-winning Remote Work for Military Spouses. She’s currently preparing to defend her dissertation for her doctorate in business administration.

We wanted to get to know Rachel Bradley (NAIWE’s Branding and Marketing Expert) better, so last month we sat down with her. Here are some thoughts she shared with us.

What led you to transition from a legal career to becoming a freelance editor?

I had come into a radically life-changing experience with God’s grace and had fallen in love with grace over justice. I sought the Lord for a change in careers, and at an unlikely and unexpected moment, he dropped into my heart that I was a freelance copyeditor. At that point, I pursued training in the field and two years later, “hung up my shingle.”

How does your legal background inform your editing work?

As a legal assistant, I had to analyze documents for logical arguments and holes in the presentation. Every preface had to have proof, and conclusions had to follow the evidence. I use a similar skill to analyze a manuscript for a solid plot line and elements of strong writing as well as continuity of ideas and flow.

How did you go from wanting to become a freelance editor to obtaining your first client?

I dedicated one of my journals to my journey and committed to writing down each day at least one thing I did to advance my goal of becoming a freelance editor. Some days were so busy with other things that the only item I wrote down was “Prayed for my business today.” But tracking each day like that really helped alleviate the overwhelm of everything that needed to be accomplished to get my business off the ground. The PEN Institute online gave me the additional training I needed to enter the freelance editing field. And I also attended writers’ conferences and offered my services as an editor-in-training for free until I had enough experience to begin charging clients.

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You can join in this conversation on December 11 at 2:00 pm eastern, when NAIWE will host a discussion on maintaining and growing a copyediting business. The cost for NAIWE members is only $10! Nonmembers can join for $30. Register today!

Rachel E. Bradley holds a BS degree in paralegal studies from Northeastern State University in Oklahoma and graduated summa cum laude in 2006. She is a gold member of the Christian PEN: Proofreaders and Editors Network, is an established freelance editor with the Christian Editor Connection, is an instructor with the PEN Institute, is a judge for the Editors’ Choice Award, and has served as faculty for PENCON, the only conference for editors in the Christian market. After serving nine years in the legal field and becoming an advanced certified paralegal, Rachel started her business as a freelance editor and indexer. She now owns Revisions by Rachel Inc. In 2018, Rachel lost her first husband, Matthew, after an intense battle with brain cancer. This life experience carried over into her editing and gave her a new understanding and a fierce compassion for people who feel broken and hurt. In celebration of continued life and hope, Rachel became a licensed skydiver and takes to the skies with her rainbow canopy, “Promises,” any chance she gets. In early 2021, she asked God to choose her next husband. In an incredible tale of trusting God and giving him her yes without exception, Rachel is now joyfully married to Alexander Bradley. They have been assigned the awe-inspiring and continually humbling task of raising two incredible children. Beyond reading, Rachel enjoys Bible studies, dancing during church worship, skydiving, swing dancing, rock climbing, reading, teaching, discussing important issues, watching Star Trek, sewing, cooking, Pilates, horseback riding, water sports, playing guitar, and snow skiing.