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Mystery writer Marcia Rosen knows that the most powerful lines of William Shakespeare’s Tempest:

O wonder!
How many goodly creatures are there here!
How beauteous mankind is! O brave new world,
That has such people in’t
tell only half our human story[1].

Indeed, the opening lines of Murder offer readers into a man-made dystopia: From the lion’s den at the Albuquerque Zoo, a human arm, chewed off from its shoulder, beckons to the public.

Rosen’s sleuth, Dr. Miranda Scott, is tasked with solving this murder—but she faces five challenges. First, she hears voices in her head, each in its own trademark manner:

“Agatha, even for a dame, you talk too damn much.”
“Raymond, my dear, you’ve used that line too many times. I fear it is a bit uncouth.”
Sherlock snapped, “Will you both be quiet so I can consider the evidence?”

The snark and wisdom of Raymond Chandler, Agatha Christie, and Sherlock Holmes persist as the pile of bodies at the zoo increases. And Miranda finds time to serve her day shift as its senior veterinarian.

Second, Miranda copes with an unusual set of divorced parents. Her mother Lillian, who lives on a ranch near Taos, is a grifter forever pushing Miranda around. Miranda’s father Jacob, whom she lived with following the divorce, holds close to the vest his relationship with a certain criminal syndicate. Miranda’s appetite for detection was nourished by a steady supply of mystery and gangster novels and their cinematic adaptations, thanks to her godfather Joseph.

Third, Miranda faces corruption on the part of the local government. Readers will recognize the shameless egoism of Senator Matthew Graham and company.

Fourth, there is corruption on the part of the zoo staff, though Miranda may be too busy and too close to see.

Finally, Miranda entertains distraction from her duties, exchanging thrusts in an extended romantic exchange with a certain Bryan.

“Mystery lovers will enjoy Rosen’s nods to films and novels both old and new, making use of important tropes popularized by Raymond Chandler, Agatha Christie, and even Edgar Allan Poe. Rosen’s dialogue and narration—“I have to go. Have to see a lion about a man”—offer a gentler version of Chandler’s nonstop talking wise.

Murder at the Zoo is heartily recommended for vacation reading.

[1] The Tempest, V.1.182–5. These lines are spoken as a royal marriage comes together. The exile of Miranda, with her father Prospero, Duke of Milan, is coming to an end thanks to Miranda’s alliance to Ferdinand, the King of Naples’ son.

Since 1986, Jon Hartmann has reviewed books, films, and performances for academic, professional, and general audiences. Jon teaches Technical and Business Communication at The University of Texas at Dallas, and he copyedits government reports on food security in places like Haiti and East Africa.  Hartmann wrote The Marketing of Edgar Allan Poe (Routledge, 2008) and has published pieces on filmmaker Melvin Van Peebles. Jon recommends his latest paper, published in Who Makes the Franchise (McFarland, 2022, edited by Rhonda Knight and Donald Quist), titled “You Always Spoof the One You Love: Thirty Years of Professional ­Take-Offs on The Muppet Show.”

Even a Pandemic Can’t Stop Love and Murder

Author: A.E.S. O’Neill

After having been set up in Iraq, Alby O’Brien is on the Iraqi hit list. Therefore, Alby is now hiding in southern New Jersey to avoid the wrath of terrorists who are after him. Believing he is safely hidden in his cave-like garage apartment, he supports himself on under-the-table fix-it work while wrestling with nightmares of what happened in Iraq. Being that he was only a government contractor, he is not privy to all of the employee benefits provided by the government, and this letdown continues throughout his new life.

The author, A.E.S. O’Neill, wrote this book during a pandemic and used the pandemic as the setting. O’Neill does a great job working the pandemic into scenes and showing various reactions to it and the new way of life. Some characters detest wearing the mask; others double mask. Some wear the cheap mask, while others wear a Plastimask. Even the psychotically polite killer is sure to wear a mask. The author also mentions vaccines, variants, and GPS trackers—all items readers can surely relate to.

Alby was in Iraq when the pandemic hit, so the United States he returns to is different than the one he left—something Alby regularly struggles with.

Though Alby is trying to avoid the terrorists, he cannot seem to avoid trouble.

Something very valuable has been taken from a mob-run bank. The mob believes the thief was Alby, and now everyone is after him, who appears to have drawn the short straw in life. Despite his life being on the line, all he can think about is the mysterious Ginger. As it all comes to a head, Alby knows his choices are few and his fate could go either way.

This novel is filled with action at a speedy pace and takes place in just one week. How many lives can be changed in just one week! Once the action begins, it just keeps coming, breaking up the action scenes with small episodes of normalcy.

A reader may desire the prologue to occur later in the story with Alby remembering his life in Iraq, once the reader has been able to connect with Alby. However, the reader is able to empathize with Alby in chapter 1, and then the action begins in chapter 2.

O’Neill is a gifted writer, developing a great story with suspense, and he was at the right place at the right time. This novel is based on a true story O’Neill’s father told his son about a mob bank being ripped off and the ensuing consequences. The author does an excellent job of taking this true story and placing it in a pandemic crisis and entangling the two challenges.

Even a Pandemic Can’t Stop Love and Murder, vol. 1 Break the Bank is the highly entertaining and almost implausible story of what can happen by being at the wrong place at the right time.